EDITORIAL ESSAYS
ALL FEATURES
DEADSTREAM Review – Content is King and It Can Be Deadly
SCARE PACKAGE II: RAD CHAD'S REVENGE Review – A Satirical Critique and Love Letter to Horror
SLAXX Review – Denim Justice Runs Wild
[BHFF] V/H/S/99 Review – It's the End of the 90s Zeitgeist as We Know It
[BHFF] INFLUENCER Review – Kurtis David Harder's Venomous Thriller Knocks Influencers Down a Peg
SUPERHOST Review – A Host Will Do Anything For A Killer Review
WHAT JOSIAH SAW Review – Familial Trauma, Long-Kept Secrets, and a Hint of Farmhouse Horror
MOLOCH Review – Nico van den Brink Intimately Weaves Together Fear and Dutch Folklore
GOOD MADAM Review – Reclaiming and a Character Driven Exploration of Post-Apartheid South Africa
[Interview] A Conversation with GOOD MADAM Director Jenna Cato Bass and Co-Writer Babalwa Baartman
Shudder Original WHO INVITED THEM Acquired Following its Premiere at Overlook Film Festival
REVEALER Review – Grab Your Bible and Your G-String, the Apocalypse Unites Unlikely Bedfellows
Shudder Releases Trailer for Haunting South African Psychological Horror GOOD MADAM
[Tribeca Festival] A WOUNDED FAWN Review - Mythological Surrealism Unsatisfyingly Meets “Me Too”
MAD GOD Review - Exploring a Nightmarish Hellscape From the Mind of Stop-Motion Master Phil Tippett
VIRUS :32 Review - Gustavo Hernández Proves the Zombie Genre Still has Compelling Stories to Tell
THE SEED Review – Aliens, Gore and Erotic Horror