EDITORIAL ESSAYS
ALL FEATURES
- Jul 6, 2023
[Interview] CLOCK Editor Alexandra Amick on Telling Female Stories and Maternal Horror
- Jul 6, 2023
1985: The Year of the Homoerotic Horror Film
- Jul 4, 2023
[CFF Review] STAG is a Masterful Exploration of Female Friendship and Betrayal
- Jun 28, 2023
[CFF Review] THE HAUNTING OF HYPE HOUSE is a Supernatural Social Commentary Struggles to Impress
- Jun 27, 2023
[Review] HUNT CLUB is Feminist Revenge Horror Prevailing Over Society’s Alpha Male
- Jun 27, 2023
[CFF Review] HELL HATH NO FURY is a Murder Comedy of Errors
- Jun 12, 2023
[PHFF Review] SATAN WANTS YOU is a Chilling Analysis of the Satanic Panic’s Inception
- May 15, 2023
[Panic Fest Review] BLACK MOLD is a Study of Fear and the Decaying Mind
- May 9, 2023
[Panic Fest Review] BLISS OF EVIL is a Queer Horror Mystery With a Rock and Roll Sound
- May 5, 2023
How A NIGHTMARE ON ELM STREET formed a Child's Understanding of Art
- May 4, 2023
[Panic Fest Review] BLUE HOUR Proves What is Lost Should Not Always Be Found
- May 4, 2023
[True Horror] The Portrayal of Human Trafficking in EDEN and How We Discuss Victimization
- Apr 30, 2023
[Panic Fest Review] AGATHA is Allegorical Horror’s Industrial Wasteland
- Apr 30, 2023
[Panic Fest Review] ABRUPTIO is a Bizzare, Lurid, and Dark Drama
- Apr 29, 2023
[Panic Fest Review] INVOKING YELL is Found Footage Rife with Narcissism and Misandry
- Apr 29, 2023
[Panic Fest Review] THAT’S OUR TIME is a Bittersweet Reflection on Humanity and Loss
- Apr 28, 2023
[Panic Fest Review] RAZZENNEST is a Unique Arthouse Horror Experience
- Apr 28, 2023
[Panic Fest Review] THE INTERNET REMAINS UNDEFEATED Reveals the Internet is a Scary Place
- Apr 28, 2023
[Panic Fest Review] NIGHTMARE AT CAMP BLOODBATH is an Irreverent Horror Comedy at its Bloody Best
- Apr 24, 2023
[Review] KIDS VS ALIENS is Gateway Horror with Enough Gore to Entice Everyone