EDITORIAL ESSAYS
ALL FEATURES
- Apr 24, 2023
[Review] KIDS VS ALIENS is Gateway Horror with Enough Gore to Entice Everyone
- Apr 6, 2023
DARK GLASSES Review – Dario Argento's Interplay Between Good and Evil
- Jan 8, 2023
DEADSTREAM Review – Content is King and It Can Be Deadly
- Dec 22, 2022
SCARE PACKAGE II: RAD CHAD'S REVENGE Review – A Satirical Critique and Love Letter to Horror
- Nov 18, 2022
THE MEDIUM Review – Bone-Chilling and Female-Led Thai Folk Horror
- Nov 10, 2022
SLAXX Review – Denim Justice Runs Wild
- Oct 21, 2022
[BHFF] V/H/S/99 Review – It's the End of the 90s Zeitgeist as We Know It
- Oct 17, 2022
[Interview] A Conversation with WHAT JOSIAH SAW Director Vincent Grashaw
- Oct 17, 2022
[BHFF] INFLUENCER Review – Kurtis David Harder's Venomous Thriller Knocks Influencers Down a Peg
- Sep 13, 2022
FLUX GOURMET Review – A Gorgeous Feast of Aesthetic and Sound
- Aug 22, 2022
OFFSEASON Review – Aquatic Demons, Sinister Townies, and an Island to Remove From Travel Itineraries
- Aug 8, 2022
SUPERHOST Review – A Host Will Do Anything For A Killer Review
- Aug 4, 2022
A BANQUET Review – Exploring Intergenerational Matriarchal Trauma Through Mild Body Horror
- Aug 4, 2022
WHAT JOSIAH SAW Review – Familial Trauma, Long-Kept Secrets, and a Hint of Farmhouse Horror
- Aug 1, 2022
MOLOCH Review – Nico van den Brink Intimately Weaves Together Fear and Dutch Folklore
- Aug 1, 2022
Lovecraftian Horror GLORIOUS, Starring Ryan Kwanten Premieres Exclusively on Shudder This Month
- Jul 28, 2022
Shudder Slates Sundance Midnight Official Selection SPEAK NO EVIL
- Jul 25, 2022
GOOD MADAM Review – Reclaiming and a Character Driven Exploration of Post-Apartheid South Africa
- Jul 22, 2022
TENEBRAE Review - Dario Argento's Giallo classic is Grisly and Darkly Humorous
- Jul 18, 2022
SHE WILL Review – You Can Only Bury Your Trauma for So Long