Mitchell Brown says Halloween III pays tribute to the franchise while being a beloved standalone cult film. Sequels are tricky. Those...

Mitchell Brown says Megalomaniac centers on patriarchy, unflinching brutality, and a troubled character’s tightrope walk of empathy....

E.L. King says Corey Deshon's Daughter is a tense, nuanced, clever thriller delicately navigating depravity and power dynamics. Beyond...

E.L. King says Laurence Vannicelli's psychological horror Mother, May I? is thoughtfully crafted with distinct sensitivity, and embraces...

Mitchell Brown says Fred Dekker's The Monster Squad is an underrated, delightful, and hilarious cult classic. Have you ever wanted to see...

We can expect the unexpected from writer, producer, editor, and director Kurtis David Harder in his latest thriller, Influencer....

E.L. King says David Poag's Spirit Halloween lacks the adventurously contagious frivolity and excitement required to captivate audiences...

E.L. King says Sylvia Caminer's Follow Her brings a clever, fresh and frightening perspective to the "social media is bad" trope. The...

E.L. King says the Dangerous Visions Volume Two showcase of horror and genre shorts at the Chattanooga Film Festival takes us to other...

Attachment explores the deep bonds of love, superstition, and the complex nature of unhealthy codependent relationships.

Revealer boasts stellar performances, a phallic apocalypse, and an incredible synthwave score. It's quintessential queer horror.

E. L. King says that Francesca Scorsese's Crimson Ties is somewhat derivative at first glance. [THIS REVIEW CONTAINS SPOILERS] Crimson...

Mad God is a visual feast and a waking nightmare demonstrating Tippett’s reverence for handcrafted animation.

Mitchell Brown says the mystery thriller Gone in the Night digs into the baggage of past experiences, mortality, and regret. Screened at...

Evil Dead (2013) stands out among modern remakes that exist purely to thrive on brand recognition, paying tribute, and standing on its own.

E.L. King says It Follows is a modern classic that subverts horror film tropes surrounding female sexuality with substantial influences...

Mitchell Brown says that Perry Blackshear’s debut horror film examines the fear and confusion of a mentally ill mind. They Look Like...

E.L. Kings calls The Sadness a film that at times will make you physically ill, but it’s a creative and disturbing look at society,...

When the Screaming Starts is a delightful British horror mockumentary directed by Conor Boru in his feature-length debut, co-written with...

E.L. King calls The Twin a psychological thriller that will leave you questioning reality for better or worse. Shudder Original, THE...