EDITORIAL ESSAYS
ALL FEATURES
- Jul 4, 2023
[CFF Review] STAG is a Masterful Exploration of Female Friendship and Betrayal
- Jun 27, 2023
[CFF Review] HELL HATH NO FURY is a Murder Comedy of Errors
- May 15, 2023
[Panic Fest Review] BLACK MOLD is a Study of Fear and the Decaying Mind
- May 4, 2023
[True Horror] The Portrayal of Human Trafficking in EDEN and How We Discuss Victimization
- Apr 21, 2023
[Panic Fest Review] FENG SHUI is a Clever and Frightening Twist on Home Invasion
- Apr 21, 2023
[Panic Fest] LACED Review – Queer Villainy and Toxic Relationships on a Cold Winter's Night
- Apr 19, 2023
[Panic Fest] TRIM SEASON Review – Uterine Horror's Neoteric Mother Crone Comes in Blazing
- Apr 6, 2023
DARK GLASSES Review – Dario Argento's Interplay Between Good and Evil
- Apr 1, 2023
[Decoding Evil] When Passion Becomes a Prison for THE MENU’s Chef Slowik
- Mar 30, 2023
FUZZY HEAD Review – A Surrealist Spiral Into Accepting Self Love
- Jan 3, 2023
FRIEND OF THE WORLD Review – A Strong Debut Feature From Writer and Director Brian Patrick Butler
- Jan 3, 2023
PROMISING YOUNG WOMAN Review – A Revenge Thriller That Ultimately Dissatisfies
- Dec 22, 2022
THE LEECH Review – An Outrageous and Brutal Holiday Horror
- Dec 9, 2022
SHADOWS Review – A Dystopian Paradise and a Claustrophobic Nightmare
- Dec 2, 2022
[Interview] A Conversation with MISSING Director Shinzô Katayama
- Dec 2, 2022
THE CABINET OF DR. CALIGARI Review – Silence Isn’t Golden, It’s Gothic
- Nov 21, 2022
MISSING Review – An Intense and Emotional Gut-Punching Japanese Crime Thriller
- Nov 18, 2022
THE MENU Review – A Darkly Comedic Critique of the Art of Fine Dining
- Nov 7, 2022
THE GUEST ROOM Review – A Unique Blend of Science Fiction and Revenge Horror
- Oct 27, 2022
SINISTER Review – Obsession is a Curse