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![[CFF Review] STAG is a Masterful Exploration of Female Friendship and Betrayal](https://static.wixstatic.com/media/0048f1_fc85e862154a408fb9cce23a6ddf8347~mv2.jpg/v1/fill/w_1872,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_fc85e862154a408fb9cce23a6ddf8347~mv2.jpg)
![[CFF Review] THE HAUNTING OF HYPE HOUSE is a Supernatural Social Commentary Struggles to Impress](https://static.wixstatic.com/media/0048f1_e413dcc17d234ad1875cd85950fc49f1~mv2.jpg/v1/fill/w_1667,h_939,fp_0.50_0.50,q_90,enc_auto/0048f1_e413dcc17d234ad1875cd85950fc49f1~mv2.jpg)
![[Review] HUNT CLUB is Feminist Revenge Horror Prevailing Over Society’s Alpha Male](https://static.wixstatic.com/media/0048f1_36563bf26e9541a78e27d5d5734c36ca~mv2.jpg/v1/fill/w_1280,h_719,fp_0.50_0.50,q_90,enc_auto/0048f1_36563bf26e9541a78e27d5d5734c36ca~mv2.jpg)
![[CFF Review] HELL HATH NO FURY is a Murder Comedy of Errors](https://static.wixstatic.com/media/0048f1_78d62b2e4a1840469e69cce35281f915~mv2.jpg/v1/fill/w_1365,h_769,fp_0.50_0.50,q_90,enc_auto/0048f1_78d62b2e4a1840469e69cce35281f915~mv2.jpg)
EDITORIAL ESSAYS
![[Decoding Evil] When Passion Becomes a Prison for THE MENU’s Chef Slowik](https://static.wixstatic.com/media/0048f1_181493a333d043f1a006057ad930b823~mv2.jpg/v1/fill/w_1422,h_801,fp_0.50_0.50,q_90,enc_auto/0048f1_181493a333d043f1a006057ad930b823~mv2.jpg)
![[Interview] CLOCK Editor Alexandra Amick on Telling Female Stories and Maternal Horror](https://static.wixstatic.com/media/0048f1_b8a4199ae7c3469dadb9d4d490999cae~mv2.jpg/v1/fill/w_1500,h_843,fp_0.50_0.50,q_90,enc_auto/0048f1_b8a4199ae7c3469dadb9d4d490999cae~mv2.jpg)
![[Interview] A Conversation with BURY THE BRIDE Actor and Producer Chaz Bono](https://static.wixstatic.com/media/0048f1_16bb79e7b3024f648ce5017ea5dacf09~mv2.png/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_95,enc_auto/0048f1_16bb79e7b3024f648ce5017ea5dacf09~mv2.png)
![[Interview] A Conversation with Bury The Bride Co-Writer and Star, Krsy Fox](https://static.wixstatic.com/media/0048f1_9c3f39e1e6a347519dfdaf1d55b61e86~mv2.jpg/v1/fill/w_910,h_511,fp_0.50_0.50,q_90,enc_auto/0048f1_9c3f39e1e6a347519dfdaf1d55b61e86~mv2.jpg)
![[Interview] A Conversation with Onyx the Fortuitous and the Talisman of Souls Director Andrew Bowser](https://static.wixstatic.com/media/0048f1_058ae323f5e146288d8f493b2672efd5~mv2.jpg/v1/fill/w_1550,h_873,fp_0.50_0.50,q_90,enc_auto/0048f1_058ae323f5e146288d8f493b2672efd5~mv2.jpg)
![[True Horror] The Portrayal of Human Trafficking in EDEN and How We Discuss Victimization](https://static.wixstatic.com/media/0048f1_9854ab031d314d62aaeebfe1fb3a1e80~mv2.jpg/v1/fill/w_1872,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_9854ab031d314d62aaeebfe1fb3a1e80~mv2.jpg)
![[Death Creeps] Death’s Blanket and THE BLACKCOAT’S DAUGHTER](https://static.wixstatic.com/media/0048f1_c3a3d7e87ccf43958af87b4cd03d32a3~mv2.jpg/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_c3a3d7e87ccf43958af87b4cd03d32a3~mv2.jpg)
![[Slay The Date] Bloody Good Characters and The Superior Performances in Bob Clark’s Black Christmas](https://static.wixstatic.com/media/0048f1_7ad4442c793c40f99e7a9bd375f30217~mv2.jpg/v1/fill/w_1280,h_719,fp_0.50_0.50,q_90,enc_auto/0048f1_7ad4442c793c40f99e7a9bd375f30217~mv2.jpg)
![[Decoding Evil] A Study of Michael Myers and the Halloween Film Series](https://static.wixstatic.com/media/0048f1_62d0547edbe14354bbe7783756479351~mv2.jpg/v1/fill/w_1868,h_1052,fp_0.50_0.50,q_90,enc_auto/0048f1_62d0547edbe14354bbe7783756479351~mv2.jpg)
ALL FEATURES
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![[Death Creeps] Frankenstein and Wild, Untouched Nature](https://static.wixstatic.com/media/0048f1_40a81350b58a4211b79a7f440c482f1c~mv2.jpg/v1/fill/w_1812,h_1360,fp_0.50_0.50,q_90,enc_auto/0048f1_40a81350b58a4211b79a7f440c482f1c~mv2.jpg)
Sydney Bollinger
- Feb 24, 2022
[Death Creeps] Frankenstein and Wild, Untouched Nature
Death Creeps is a monthly column of ecological readings on horror media. Combining the terror of the climate crisis with terror on screen...
Mae Murray
- Feb 1, 2022
Grant Me Serenity - A Disabled Defense of Midnight Mass’ Leeza Scarborough
Mae Murray details how Midnight Mass creator and director Mike Flanagan got her experience of disability right with the creation and...
Slay Away
- Jan 6, 2022
Elevated Horror - A Complicated History of Neglecting Genre, German Expressionism and Jordan Peele
Before one can analyze Elevated Horror, one must first examine its relation to the greater horror genre of which it inhabits, or indeed...
![[Slay The Date] Naughty Or Nice - The Mischievous Duality Of Christmas Horror](https://static.wixstatic.com/media/0048f1_9416e94ae6764c579a8ce1258c95f1f0~mv2.jpg/v1/fill/w_634,h_403,fp_0.50_0.50,lg_1,q_90,enc_auto/0048f1_9416e94ae6764c579a8ce1258c95f1f0~mv2.jpg)
Justin Lockwood
- Dec 23, 2021
[Slay The Date] Naughty Or Nice - The Mischievous Duality Of Christmas Horror
Schlockwood is a bi-monthly column bringing you something different, compelling, and fun with each edition. As we celebrate the Yule holiday
Dylyn C. S.
- Sep 8, 2021
'Idle Hands' and the Devilish Allure of Anti-Productivity
Idle Hands is a blood-soaked ‘90s fantasy that nurtures your playful side and takes you to Hell. With Halloween right around the corner,...
Kelly Mintzer
- Aug 18, 2021
You Can Never Go Home Again - Mike Flanagan's Exploration of Grief
Contributor Kelly Mintzer explores Mike Flannagan's use of grief, family and home in his work.
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