Jessica Scott says The Outwaters is an absolute nightmare of a movie, in the best way possible. Watching Robbie Banfitch’s The Outwaters...

Gustavo Hernández's Virus :32 is a portrait of how we can derive strength from our past traumas to survive the unimaginable.

Ghosts of the Ozarks delivers an exciting concept with vast potential but desperately fails to deliver any suspense.

The Woman with Leopard Shoes is a noir-infused thriller with experimental minimalism on its mind that uses its limitations to its advantage.

Jessica Scott describes No Exit as a brutal thriller with more twists and turns than a mountain road. Taut and delightfully nasty, No...

E. L. King calls Hellbender a bloody coming-of-age journey of self-discovery and a unique occult story exploring love, fear, power,...

Jessica Scott calls Hatching a queer allegory and says it demonstrates that the titular act of self-creation can be painful and...

You Won't Be Alone, the debut feature from Goran Stolevski is a haunting and unexpectedly poetic folk tale.

E. L. King calls director Andrew Semans' Resurrection a devastating portrait of how trauma and the lingering repercussions of its effects...

Mariama Diallo is a Brooklyn-based writer and director whose debut feature film, Master, is decidedly unnerving. The narrative is an...

E. L. King calls director Christian Tafdrup's third feature film a cautionary, threatening, and violent tale about the trap of politeness...

Director Chloe Akuno's debut feature, Watcher, unsettles us within its opening moments as Julia (Maika Monroe) and her husband Francis...

E. L. King calls the debut feature film from Mimi Cave an exhilarating and evocative thriller exploring the perils of modern dating and...

In their 3 Bloody Knife review, E. L. King calls The Deep House a claustrophoic acquatic horror experience that blends the supernatural...

In their 5 Bloody Knife review, E. L. King calls Last Night In Soho an equisite experience where beautiful dreams descend into...

In their 3.5 Bloody Knife review, E. L. King calls The Free Fall a psychological thriller that took them by surprise with its unique...

E. L. King calls their Brooklyn Horror Film Festival screening of When I Consume You a sometimes messy slow burn about grief, shared...

In their 3 Bloody Knife review, Enola Leone King calls The Night House more than a simple ghost story. It's an expansive supernatural...

E.L. King says their viewing of the Popcorn Frights Film Festival world premiere of Dawn Breaks Behind The Eyes a seductive supernatural...

In their 5 Bloody Knife review, E.L. King calls their Popcorn Frights Film Festival screening of The Last Matinee a total neon horror,...