Ghosts of the Ozarks delivers an exciting concept with vast potential but desperately fails to deliver any suspense.

The Woman with Leopard Shoes is a noir-infused thriller with experimental minimalism on its mind that uses its limitations to its advantage.

Jessica Scott calls Hatching a queer allegory and says it demonstrates that the titular act of self-creation can be painful and...

You Won't Be Alone, the debut feature from Goran Stolevski is a haunting and unexpectedly poetic folk tale.

E. L. King calls director Andrew Semans' Resurrection a devastating portrait of how trauma and the lingering repercussions of its effects...

The German director's second feature film premieres at Slamdance Film Festival on January 27, 2022—we caught up with Havemann in Berlin...

Mariama Diallo is a Brooklyn-based writer and director whose debut feature film, Master, is decidedly unnerving. The narrative is an...

E. L. King calls director Christian Tafdrup's third feature film a cautionary, threatening, and violent tale about the trap of politeness...

Director Chloe Akuno's debut feature, Watcher, unsettles us within its opening moments as Julia (Maika Monroe) and her husband Francis...

E. L. King calls the debut feature film from Mimi Cave an exhilarating and evocative thriller exploring the perils of modern dating and...

In their 3.5 Bloody Knife review, E. L. King calls The Free Fall a psychological thriller that took them by surprise with its unique...

E. L. King calls their Brooklyn Horror Film Festival screening of When I Consume You a sometimes messy slow burn about grief, shared...

E.L. King says their viewing of the Popcorn Frights Film Festival world premiere of Dawn Breaks Behind The Eyes a seductive supernatural...

Take Back The Night is a creature feature about grief, trauma, and the struggle to be believed through a horror lens.