Brandon Cronenberg's Infinity Pool is a critique of the lack of consequences for the atrocities of the wealthy whose criticism feels hollow.

Bess Wohl's directorial debut, Baby Ruby is an incredibly fearsome, painful, and unnerving thriller.

The Underbug is a captivating and acutely frightening supernatural horror with a backdrop of political unrest and excellent performances.

E.L. King interviews Ruben Rodriguez discussing his career as a filmmaker, his love of the horror genre, and The Death of April.

An analysis of Bones and All as a reflection of Borderline Personality Disorder.

Pearl is an unsettling exploration of sexuality and agency during a forgotten period in American history.

Sam Rosenberg interviews Andrew Bowser about his feature-length film debut at Sundance, Onyx the Fortuitous and the Talisman of Souls.

Signalis is an expertly crafted blend of anime, cyberpunk, and existential dread that fans of survival horror will want to experience.

An examination of Damien Leone's Terrifier 2, the hero's journey, and Sienna's role as a fresh representation of the final girl trope.

An exploration of the origins of the Ouija Board throughout history and horror cinema.

Invasion of the Body Snatchers is a stunning and classic science-fiction horror film that will open your eyes in more ways than one.

Robert Olsen and Dan Berk’s Significant Other is beyond anything audiences will anticipate, continuously subverting expectations.

Death Creeps is a monthly column of ecological readings on horror media. Sydney Bollinger explores the themes in The Blackcoat's Daughter.

Deadstream is a hilarious look at the lengths content creators will go to for fame and one of the best horror films of the past year.

Six horror films that perfectly embody the gory, socially-charged nature of splatterpunk.

Showtime's Let the Right One In is a naturalistic, emotional story of human compassion and strength set in a monstrous world.

A reflection on Daphne du Maurier's collection of work, her short story "The Birds," and its drastically different film adaptation.

Friend of the World is the bizarre story of an experimental filmmaker and a sneering general in a post-societal bunker.

Brant Lewis discusses Brian De Palma's adaptation of Carrie and its prevalent and abundant queer elements. As a freshman in high school,...

E.L. King says Emerald Fennell's Promising Young Woman is unexpected, but ultimately doesn't deliver any hope for sexual assault...