E.L. King says the Dangerous Visions Volume Two showcase of horror and genre shorts at the Chattanooga Film Festival takes us to other...

Sammy Mannion says the Dangerous Visions Volume One showcase of horror and genre shorts at Chattanooga Film Festival is deeply moving,...

Ashley Anderson says the satire in Guts is a reprieve from its gruesome moments. Guts, written and directed by Chris McInroy, is a...

Ashley Anderson says the relatability of receiving unwanted spam calls creates the uncertain potential for Cruise’s realism. Cruise is...

Breanna Lucci says Night Shift is a layered story that exposes the ugly side of our patriarchal society. Written and directed by...

Breanna Lucci says Landlocked provides a modern spin on found footage while tackling the complexities of family history and grief....

Jaclyn Bartlett says Livin’ After Midnight is a unique vampire story with an intriguing commentary on the LGBTQ+ experience. The Queer...

Jaclyn Bartlett says The Unsettling is full of thought-provoking ideas about trauma, its impact on relationships, and how difficult it...

Ashley Anderson says Gateway director Niall Owens blends minimal special effects and an eerie score creatively to convey an extraordinary...

Barbarian’s teaser trailer leaves an ominous void of questions and excitement for the film’s release. Writer and director Zach Cregger's...

Jaclyn Bartlett says PussyCake is stylish and the suspense will leave you on the edge of your seat. From directed by Pablo Parés comes...

Justin Lockwood says he was taken with Mali Elfman’s thoughtful debut feature film. Next Exit, the debut feature written and directed by...

E.L. King says Attachment explores the deep bonds of love, superstition, and the complex nature of unhealthy codependent relationships....

E.L. King discusses John Carpenter's The Thing (1982) with special guest Staker. DESCRIPTION E.L. King discusses John Carpenter's cult...

Breanna Lucci says The Ones You Didn’t Burn draws you in with its dynamic characters and story, refusing to spit you out until the...

E.L. King says Revealer’s stellar performances, comedic timing, and incredible synthwave score by Alex Cuervo make it the perfect dark...

Justin Lockwood says Family Dinner maintains a grim tone, but it’s a fun and schlocky film. In his feature film debut, Family Dinner,...

Justin Lockwood says The Black Phone delivers frightful scares, but its emotional heft makes it truly special. We’ve been clamoring for...

A remote cabin, sinister strangers, and a message to save the world. M. Night Shyamalan recently posted a tweet announcing that his...

Shannon Velazquez says The Privilege suffers from its attempt to blend genres. [THIS REVIEW CONTAINS SPOILERS] The Privilege (Das...